See our 2021-2023 Strategic Plan here.
PJCE envisions a vibrant jazz community where composers, performers, students and audiences create, see and hear their cultural experiences artistically expressed and represented in original jazz compositions and performance.
PJCE’s mission is to create and perform original jazz music that engages and supports our community’s diverse artists, cultures and place.
Community: We value a supportive community experience that includes a diverse group of composers, performers, audience, and students.
Integrity: We carry out our work with the greatest responsibility, openness, and accountability.
Innovation: We honor jazz and its legacy as an inclusive and diverse art that constantly renews itself in each generation’s time and place.
Legacy: We recognize jazz as a quintessentially American cultural achievement and contribution to world culture, created from and within the African American experience in the United States.
Respect: We treat all people, communities, and cultures with dignity and respect.
Excellence: We strive for excellence in all our endeavors.
Creativity: We value imagination, innovation, and music that embraces local culture, community and history.
The PJCE was founded in 2007 by pianist Andrew Oliver and saxophonist Gus Slayton after the pair graduated from Portland State University. Along with a particularly vibrant group of student composers in the PSU big band that year, they wanted to continue to create new music for large ensemble. The first concerts were informal and exciting examples of a like-minded group of young musicians getting together to create new sounds and experiment with the textures of large ensemble jazz.
The Portland Mercury called the PJCE’s second show “the most strikingly punk show I’ve seen in years,” and the band went on to premiere over 20 new compositions by Portland composers in its first few years of existence. As the organization evolved and matured, the PJCE continued to commission and perform new music for large ensemble by an increasing variety of established and emerging Portland-area composers while also establishing itself as a nonprofit corporation in 2010.
The administrative team expanded with the addition of Dan Duval soon thereafter, and in 2013 Andrew and Dan co-founded PJCE Records, a new record label branch of the organization, filling a void in the Portland music scene by documenting the rich variety of small group jazz and creative music being created by local composers and improvisers. In the first year of its existence, the label released one album per month, often recorded in informal live sessions designed to reflect the immediacy of the music’s creation and the natural sound of the groups. The label, now under the direction of Ryan Meagher and Douglas Detrick, continues to regularly release a wide variety of high quality original music by Oregon artists.
In 2013, Andrew Oliver moved to London and Douglas Detrick was elected Executive Director upon his departure. Since then, the organization has expanded its scope to include collaborations with special local and national guests such as John Gross, Taylor Ho Bynum, and Catherine Feeny and a variety of themed concerts tying into elements of local history and culture. The PJCE launched its podcast Beyond Category in 2015 to expand the organization’s platform and give artists an opportunity to share their stories and music with a wider audience.
Douglas Detrick, Executive Director
Douglas Detrick is a Portland, Oregon-based composer, trumpet player, and arts administrator and consultant whose work in these diverse areas is distinguished by its quiet thoughtfulness and its embrace of good ideas from unconventional sources. He was a 2017 Oregon Arts Commission Individual Artist Fellow and was awarded the 2011 Chamber Music America New Jazz Works and Presenting Jazz grants for his work with his chamber-jazz quintet Douglas Detrick’s AnyWhen Ensemble. The commissioned work “The Bright and Rushing World” was premiered at New York’s Jazz Gallery in 2012 and performed throughout the United States. He is currently the Executive Director of the Portland Jazz Composers Ensemble, and performs in Oregon as well as touring nationally.
Ryan Meagher, Director of Operations, Director of PJCE Records
Ryan Meagher (pronounced Marr), originally a native of San Jose, California, is a jazz guitarist and composer who launched his international reputation in New York City (NYC) in 2003 after completing his bachelor of music degree at San Diego State University. He spent his first few years in NYC discovering his compositional voice and honing his improvisational craft.
He is a co-founder and the Programming Director of the Montavilla Jazz Festival, the Director of Operations of the Portland Jazz Composers’ Ensemble, Director of PJCE Records, Director of Portland State University’s “The Shed” Summer Jazz Workshop, Editor of the Jazzscene Magazine, Marketing and Advertising Consultant for the Oregon Coast Jazz Party, and was interim Director of Jazz Studies at Mt. Hood Community College before taking his vision to the Lower Columbia College Jazz Ensemble in Longview, Washington. He is also currently Instructor of Applied Jazz Guitar at San Diego State University.
Mieke Bruggeman-Smith, Education Coordinator
Mieke Bruggeman-Smith runs the PJCE’s Young Jazz Composers program. She is a performer, educator, and composer/arranger. She performs in a wide variety of groups including the Quadraphonnes, an all-female sax quartet, Afro-Cuban band Melao de Cuba, and the PJCE, as well as classical saxophone and musical theatre.
Mieke also enjoys teaching private lessons at her home studio and co-teaching at Roosevelt HS, Beaumont MS and with the Portland Youth Jazz Orchestra. She is heavily involved in promoting music education and loves collaborating with her music community. Music is the one outlet that (as author Tom Robbins might say) keeps the oxygen from leaking out of her life.
Board of Directors
Terry Butler retired after 40 years in social work, with a focus on child and family services. He brings experience on governing and advisory boards for a number of non-profit organizations. Terry has had a near lifelong love for jazz music and its history, and sees PJCE as an important part of sustaining a vibrant jazz community in Oregon. Terry also does volunteer restoration work in Oregon’s high desert.
Donna Cruz-Moreno (President)
Donna Cruz-Moreno is originally from in Phoenix, Arizona. In 2002, she moved to Portland, Oregon with her husband and two sons. Donna became a Jazz student/enthusiast, and in the course of her studies, she learned more about Portland jazz artists and support organizations. She is President of “Portland Rock on with us” (PROWUS), a music scholarship program for students ages 8-18 in the Portland area.
Pam Jones (Secretary)
I have lived in Portland for 40 years and as a stay-at-home mom came to jazz later in life when my three kids were in middle and high school. I read about pianist Darrell Grant’s People Music Project and went out to hear them, and this led to going out for live music and getting acquainted with the jazz community. I have served on the board of the Jazz Society of Oregon, volunteered for PDX Jazz Festival as their volunteer coordinator, as well as organizing their “Incredible Journey of Jazz” performances in the schools. I have followed PJCE since it was founded and appreciate the direction it has taken by making connections with the community and beyond.
Marilyn T. Keller, 2016 Jazz Society of Oregon Hall of Fame Inductee, is
a 38-year veteran of music and stage performance in Jazz, Gospel, R&B, Pop,
Blues, and theater, nationally and internationally. Her musical roots are diverse. She has built a career that has taken her as a feature artist to Denmark, Sweden, Norway, The Netherlands, Spain, Australia, Russia and the UK for concerts, festivals, nightclubs and recording work. Her voice can be heard on multiple recordings, movie sound tracks, commercials and documentaries.
Marilyn’s formative jazz training was as a member of the Mt. Hood
Community College Vocal Jazz Ensemble. She can be seen frequently at clubs, restaurants, festivals and holiday events throughout the Pacific Northwest with such artists as Don Latarski, Tom Grant, and Darrell Grant, most notably in his suites, “Step By Step – The Ruby Bridges Story,” and “The Territory.” She has performed weekly for 28 years with the Augustana Jazz Quartet. In 1997, she joined the Black Swan Classic Jazz Band, establishing a following in the Dixieland and Ragtime scene. She has also worked frequently in musical theater.
Marilyn is dedicated to music education and has given clinics and master classes for choirs and bands in public schools and is currently an Adjunct Professor at Portland State University, teaching Vocal Jazz Improvisation. https://www.marilyntkeller.com/
Mark Kramer, Attorney, specializes in family law and civil litigation including personal injury, civil rights, and employment cases. He has more than 35 years of trial experience and extensive experience in family law issues ranging from adoption and contested custody to grandparent and psychological parent rights. Mark has served as a pro-tem judge for the Multnomah County Circuit Court. As co-counsel for the Oregon State Judiciary Committee and in private practice, Mark drafted family law legislation that is now Oregon law. He is a member of the National Lawyers Guild and represents pro bono clients including Right 2 Dream Too. He joined the Board in 2015 and provides support to the Board in contract, regulatory compliance, insurance and other matters.
Mark graduated with honors from Cornell University and then received his law degree from Northeastern University. He is listed in Who’s Who in American Law. Mark is married to a Licensed Clinical Social Worker and has two adult sons.
Martin is the former Dean of The New School for Jazz and Contemporary Music in New York City and was active in jazz education for 40 years, in the U.S. and in more than 25 countries. He is a founding member of the International Association of Schools of Jazz and was the NYC leader for the National Endowment for the Arts study, “Changing the Beat: A Study of the Worklife of Jazz Musicians.” He received Downbeat Magazine’s Achievement Award for Jazz Education in 2002 and the “A Team” advocacy award from the Jazz Journalists Association in 2005.
I took up the trumpet at a young age and have gigged off and on ever since. Growing up, my idols were Dizzy Gillespie, Miles Davis, Freddie Hubbard and Lee Morgan. Playing in R&B bands while in junior high and high school throughout the metro New York City area, I had the opportunity to perform often, including an amateur night at the Apollo Theater.
After graduating from college, I went on the road for few years and toured the US and Canada extensively while playing trumpet and keyboards for a road production of the Broadway show Beatlemania. Eventually I took on the responsibilities of tour manager and tour accountant while continuing to work as a backstage musician. After I got off the road, I picked up a day job.
Happily, I was still able to play trumpet on Latin gigs, club dates and freelance orchestral engagements. In 1991 I moved to Los Angeles and began a 25 year career in TV and Film post-production. In addition to live sports and entertainment broadcasts, I also worked on projects for ESPN, NBC, ABC, CBS, FOX, BET, Disney, SyFy, Animal Planet, Discovery Network, A&E as well as other organizations. In 2016 I moved to Oregon fulltime and transitioned into real estate (which it turns out is remarkably similar to post-production). In my spare time, I attempt to play simple piano pieces while thinking about working to get my trumpet chops back.
Jim Toscano, a newcomer to Portland, serves as a consultant to nonprofit organizations in planning, governance and resource development. His career in nonprofits spanned over 50 years, 37 of them as a CEO. He earned a BA at Rutgers College and a MA at Yale University.