Chris Clark-Johnson’s First Frontier is a captivating debut album that invites listeners into a sonic landscape both familiar and fresh. The full-length album is a bold statement of arrival from a young guitarist and composer whose music is as deeply rooted in tradition as it is forward-thinking. Recorded over two sessions six months apart, this debut album showcases Clark-Johnson’s ability to blend the harmonic richness of jazz with the rhythmic vitality of Black American music.
The album opens with the tantalizing “Oh No (Intro),” a brief, atmospheric piece that sets the stage for the explorations to come. “Squares” and “Paul’s Thing” demonstrate Clark-Johnson’s command of both composition and improvisation, with the guitarist’s playing marked by a fluid, lyrical style and a keen sense of melodic invention. “Frost” delves into more introspective territory, featuring Clark-Johnson’s ability to create a sense of intimacy and vulnerability through his melodic content and small group arranging skill.
The album’s second half takes on a more expansive and adventurous tone. “The Glacier” and “Healing” are particularly striking, showcasing Clark-Johnson’s ability to craft sweeping, cinematic compositions that evoke a sense of awe and wonder. “Virtualizin'” offers a glimpse into the future of jazz, with the guitarist exploring electronic textures and unconventional rhythmic structures. The albums close, “The Hero’s Dream”, begins as a delicate ballad, but the tune has subtle transitions between gentle melodic sections, and more active and playful sections.
This album is a testament to Clark-Johnson’s talent and promise. The group’s chemistry is evident throughout the album. The interplay between Clark-Johnson’s compositions, Paul Moyer’s thoughtful piano work, Arte Adams’s steady basslines, and Noah Mortola’s dynamic drumming creates a rich and textured sound. The addition of Olivia Fields’s saxophone adds a layer of complexity and emotional depth. First Frontier is not only a beautiful and inspiring work of art, but also a sign of things to come from one of Portland’s most exciting young musicians.
credits
released November 16, 2024
Chris Clark-Johnson (guitar)
Olivia Fields (saxophone)
Paul Moyer (piano and keyboards)
Arte Adams (bass)
Noah Mortola (drums)
All compositions by Chris Clark-Johnson, “Frost” by Elizabeth King
Recorded by Randy Porter, Paris Butler
Mixed by Chris Clark-Johnson
Recorded at Heavywood Studios, Blue Butler Studios
Recording date: July 17, 2023, January 16, 2024
Mastered by: Skyler Pia
Executive Producer: Ryan Meagher
Art by Tiny Little Hammers
PJCER 063
license
all rights reserved
